Next on ETFF…

Saturday, December 23; 2pm EST

Takis Fotopoulos returns to ETFF!

Tune in, Pay it Forward, and Question Everything!

Previously on ETFF…

Anthony Magnabosco on ‘Street Epistemology’

Street Epistemology is a dialectical approach intent on helping people reflect on the reliability of the methods used to arrive at deeply-held beliefs. We will be speaking with one of the founders of the movement, Anthony Magnabosco.

Anthony has been learning, studying, conducting, and promoting Street Epistemology for nearly five years, and is considered one of the leading practitioners of the method. He has preformed nearly one thousand interactions on camera and has uploaded hundreds of examples to his YouTube Channel where more then 20,000 subscribers are able to learn by observation.

Anthony has appeared on numerous podcasts, shows and blogs including The Atheist Experience, The Thinking Atheist podcast, Cognitive Dissonance, The Friendly Atheist podcast and blog and the David Pakman Show to discuss and share Street Epistemology with others.

Listen to Audio Here!

ETFF Presents: The Bunny vs The Son of God!

Listen to Audio Here! ========================

ETFF Talks w/ Santa!

Listen to Audio Here! ========================

The Humanist Interviews…

Equal Time for Freethought’s exec. producer, Barry F. Seidman, had the honor of being the first person interviewed for blogger “Skepoet” for his new series on humanism.  Skepoet’s blog, ‘At Crossroads of Critical Thinking and the Humanities,’ contains essays and links about Education, Environmentalism, Humanism, Philosophy, Politics, Science & Skepticism.  The Seidman interview can be found here!

Barry F. Seidman interviews Meco Monardo!

Disclaimer: Yes, we know this has nothing to do with Freethought… The artist who mastered the genre of “symphonic disco” goes by the name of Meco Monardo. “MECO” recorded over 15 albums, mostly from 1977 till 1985, as well as a host of singles some of which were not accompanied by full LPs. MECO did experiment from time to time with original work, but the musical canvas on which he arranged the many marriages of symphony music and disco included the wonderful music from films such as the Star Wars series, Close Encounters of the Third Kind, Superman, The Black Hole, Raiders of the Lost Ark, American Werewolf of London, The Wizard of Oz and of course, Star Trek. MECO’s full name is Domenico Monardo. He was born in Pennsyvania. His father played the valve trombone in a small Italian band, and through him Meco got his first musical education. Meco wanted to play the drums, but his father convinced him that the trombone was the right instrument, and at nine that was the instrument which he was to stay with, however, for Meco the slide trombone was his choice. He joined the high school band while still attending grammar school. At 17 he won a scholarship to the Eastman School of Music in Rochester, New York, which provided him with a solid classical and jazz music education. There, together with his two friends Chuck Mangione and Ron Carter, he started the Eastman School of Music Jazz Band. Originally not inclined towards pop music, Meco’s heart changed when he heard Petula Clark’s “Downtown”. He began doing arrangements, for example the horn section on Tommy James’ “Crystal Blue Persuasion.” In an interview with DiscoMusic.com Meco explains that he is probably the only person who has played a jazz trombone solo on any pop record the last 50 years. This happened on Diana Ross’ 1980 album Diana, on the song, “I’m Coming Out.” Around 1973 Meco, Tony Bongiovi and a third person formed the production company Disco Corporation of America, and from 1974 to 1976 Meco worked as a record producer. The team of Meco, Bongiovi, Jay Ellis and Harold Wheeler produced the 1974 Gloria Gaynor hit “Never Can Say Goodbye” and Carol Douglas’ “Doctor’s Orders.”

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